deathpixie: (Default)
So I've been working on the Fanlore Wiki on and off lately and I've been specifically working on the CBFFAs page today. With lots of diving and researching and massive use of the Wayback Machine, I've been able to create a full-ish history of the awards. I say "ish" because I can't locate the 2003 results anywhere (since the contents of OTL are inaccessible and I don't have access to that old email account any way). But I did find my segment for the award ceremony! And since there's nowhere else to post it, I'm going to post it here:

CBFFAs 2003: Best Independent Fanfic. )

And while I'm at it - does anyone have a copy of the winners for 2003? ;)
deathpixie: (Default)
I started this fic over 20 years ago now. Tonight, as part of (Inter)National Drunk Writing Night, where the rules are "no editing" and "have fun", I've been poking through my Unfinished Fic and pulling out things to work on. This one was a sentence short of an ending.

Set during "The Wake".

***

I see dead people.

I just wish they’d fuck off.

They say that everyone has their ghosts. Memories, dreams, thoughts… they accumulate over a lifetime. Psychic baggage. But when that lifetime spans more centuries than it ought, the mental broom cupboards get a tad crowded. I’ve lived in London on and off since the time immediately following the Black Death, and there’s precious few places I can go that don’t have some resonance. There’s always some memory, some shade of a distant friend or lover long-dead, some remnant of a building I once called home, a pub I once drank at, an office that once housed a brothel I visited. Everywhere I go, everywhere I turn, there they are.

Doesn’t mean I don’t love the place tho’.

Tonight is my last night in London, in England, for that matter. The old place holds no secrets from me, no new horizons, and so I’m off to the country that worships all things new, where they think that thirty years is a long time. The States don’t occupy themselves with ghosts of times long past, they’re too busy living in the now, eyes fixed firmly on the future. I’ve lived there before, true, got myself involved in some trading of both scrupulous and dubious wares, but there’s space there, places I’ve never seen, even after twelve lifetimes. People who I can look at and not see the tracery of long-dead colleagues in their bone structures, buildings whose doors I’ve never darkened. Streets that have never known my feet, gutters that haven’t been my bed.

My plane leaves at some ungodly hour of the morning, and I’ve been over the River, drinking with the lads, such ‘friends’ as I’ve trusted myself to make. They’re slightly better-known acquaintances, really. Immortality is a heavy burden, sometimes. Those things we define ourselves by – friends, loves, family – they don’t mean shit when you’re six-hundred-odd years old. They don’t last, you see – nothing does – and in the end all you have is a tombstone somewhere and faded, distant memories. Sometimes not even that – Robyn’s face is lost to me now, and all I have is the cold knowledge I was once married to a woman of that name back in the days of Good Queen Bess. That we had a son together, who died stupidly. Then again, aren’t all deaths stupid? Audrey’s certainly was – smashed to bits on the high street by some idiot lorry driver. Then again, isn’t that why I’m still here in the first place? Because I had decided that death was a mug’s game and Someone decided to indulge my hubris?

Collers Wood, Tooting Bec, fucking Clapham North, South _and_ Common, Elephant and Castle… this train seems to be stopping at every station, and a few extra they pull out just for nights like these. The names, too, are old friends, old memories, strange as they are to the tourists I see giggling and pointing at the Tube maps on the walls. London Bridge, with the Tower a spit away… many’s the post-execution drink I’ve had at the ‘Hung Drawn and Quartered’. We pull into Monument and there’s a young bloke sitting on a bench on the platform, coat wrapped around him to avoid the splashes as he casually vomits over the edge of his seat. Shades of an uglier, dirtier time, when people tossed their body waste out the window and into the streets below and the roads ran with shit and offal. Not a time I miss – give me indoor plumbing and a roll of toilet paper any time. People romanticise the past, but I was there, and it wasn’t all chivalry and great deeds and beautiful maidens. It was disease and filth and going hungry half the time. It was clothes that didn’t fit, scratchy undergarments (if you actually had any), having a bath once a year in the summer and stinking the rest of the time. And Death, always Death, be it quick and merciful, or slow and ugly, or any degree between. I’m well out of it, and well out of this place, this city.

And yet… Moorgate, Old Street, Angel, St Pancras… There’s a kind of poetry in those names, their original meanings long-forgotten except by stuffy academics and amateur historians and strange little train-spotting people in anoraks. I’ve travelled this city so long I know them by heart. We pull out of the darkness of the tunnel into the harsh white-glare of the station, not pausing this time, and out of the corner of my eye I see the flash of white skin framed by an unruly mop of black hair, and I start, leaning forward for a better look. It’s not him, but – true he’s got the same underfed frame, and allergy to colour, but the eyes that meet mine are dull, human. No twinkling of distant stars here. But the resemblance was enough to summon the memory, or half-memory, in the way of all dreams, of a ceremony, no, a funeral, and I’m almost sure that I’ve buried yet another friend, one that ought to have outlived me by all accounts.

More dead people. If that one even counts as ‘people’.

The train shudders to a stop at Camden Town finally, end of the line for me, and I stumble out of the train and into the noisome echo of the station tunnels. Losing myself into the vast anonymity of London. For a little while, at least.
deathpixie: (vegemite toast)
So, I'm extremely late to the bandwagon, but I finally have an AO3 account. You can find me under Rossi, which I was pleased to find still available. There's only one fic there atm, but eventually I'll have all of my stuff up, safely stored in one place*.

*at least until this archive disappears like many before them.
deathpixie: (big damn heroes)
I have to share this one - it was just awesome. :)


Ankh-Morpork, Avenged by [Bad username or site: @ livejournal.com]
deathpixie: (writing)
Originally posted by [livejournal.com profile] sevenall at The Common People (TCP) Warehouse
Some time ago, I found out that The Common People Warehouse, previously hosted at subreality.com was down. I thought that was a pity and wrote Chris to ask if he would mind if I uploaded it on offpanel.net. He agreed to let me do this. But I also want to ask the permission of the authors.

Please let me know if you are one of the authors there and do NOT want your work there, if so I will remove it. I will not be adding new stories to the archive.

Apologies for the cross-posting, btw.

ETA: added link for reference.



deathpixie: (sushi)
I found this on my friends list today: No Reservations: Narnia by Edonohana. It's a foodie fic, wirtten by a foodie. And it's brilliant.
deathpixie: (dark city)
I haven't done this for a while because I haven't been reading much, but I had to share this gem, which I found on the [Bad username or site: @ livejournal.com] comm. Beautifully written, with all of the characters ringing perfectly true.
deathpixie: (question your reality)
Harry Potter meets Black Books.

And it works. I just wish there had been more of it.
deathpixie: (writing)
Thanks to [Bad username or site: @ livejournal.com] for pointing this out:

I've been recced on [Bad username or site: @ livejournal.com]
deathpixie: (phoenix)
Been a while since I've done one of these, but I came across this fic on my travels today. NEXTWAVE is a fun concept on its own, but someone's actually managed to link Tabitha's past with her NEXTWAVE beginnings in a rather clever way.
deathpixie: (writing)
In the course of talking to one of the XPers in chat today, I was prompted to dig up my old Collective Mutants series. Ah, happy fanfic times...
deathpixie: (do you have a flag?)
A Boy's Book of Practical Magic to Mystify, Baffle and Entertain by [Bad username or site: @ livejournal.com].

Brilliant stuff.
deathpixie: (writing)
Yesterday I found myself offline and went through my 'unfinished fic' folder in search of something to do. Here's what I found (and finished the first chapter of).


[Neverwhere/Books of Magic] Through The Angel Door. (1/?)

Rating: PG for language

Disclaimer: Not mine, they're Neil Gaiman's and Vertigo's. No profit, only homage.




Chapter One: Openers. )
deathpixie: (river of dreams)
Disclaimer: Subreality is a concept created by [Bad username or site: @ livejournal.com]. So is the Writer’s Café. Pinocchio and the other staff (except Mary Shiva) belong to their respective copy-writers, and I’m not making any profit out of their use. Mary Shiva belongs to [Bad username or site: @ livejournal.com].

If none of this makes any sense, get thee to Yasmin’s Writer’s Café page. The Writers don’t belong to me either. Some names have been changed to protect the er, innocent.


Rating: G, for general consumption.

AA: Meeting. )
deathpixie: (defying gravity)
Dedication: This was a birthday fic for [Bad username or site: @ livejournal.com], back in the old #subcafe days. Obie, wherever you are, this one's still for you.

Disclaimer: The mutant concept is Marvel's, although they don't half use it as well as they could. The Common People Project is the joint brain-child of Phil Foster and Kielle. No profit made, just a warm fuzzy feeling. ;) The rest is mine, except Stephen Niles, who is Oberon's creation and was borrowed without permission.

Rating: G - some disturbing themes, but nothing heavy.


Wings of Desire )
deathpixie: (words on the wall)
Another Gen X, this time a 'preview' look at Jono before he joined Gen X. The style - and the title - are borrowed from Australian YA author John Marsden. The document was created September 2001.

Genre: Generation X
Rating: PG-13
Disclaimer: Marvel's, not mine. No profit, only homage.

Letters From The Inside )
deathpixie: (happy birthday!)
Not my first Gen X fic, but the others need a bit too much formatting and I want to get to bed early tonight. Everett, Jubilee, a shopping mall at Christmas time. Your basic fluff.

PS: Happy Belated Birthday, [Bad username or site: @ livejournal.com]!


Rating: G
Genre: Generation X
Disclaimer: Marvel's, not mine. No profit, only homage.

Scenes From A Mall. )
deathpixie: (acoustic motorbike)
Notes: The first ever fanfic I wrote and posted. The Common People project was formalised by [Bad username or site: @ livejournal.com], expanding on a concept from a fic written by [Bad username or site: @ livejournal.com]. Essentially, it's the 'ordinary mutants', those in the Marvel mutantverse who aren't heroes in spandex. Those who know my NPCs will recognise my love of the ordinary in the extraordinary.

This one's a shameless self-insert, but there are no unicorns, I promise.


Rating: G
Genre: TCP - Marvelverse
Disclaimer: The universe isn't mine, the rest is. No profit, only homage.

Road Rage. )
deathpixie: (writing)
For various reasons, I've decided to repost most (if not all) of my various fic onto my LJ. Mostly so I have a record outside of the laptop with everything in one place, partly because I'm hoping to kick off the old creativity and see if I can't start writing non-RPG stuff again. And tonight, because I've had a No-Good, Very Bad Day, as has everyone else around me, apparently, and I'm trying to be constructive instead of sinking into the funk of 'everyone hates me, no-one wants to talk to me'.

Of course, I could just talk to them first, but hah, that'd be logical

Any way. Spam incoming. I'll try and stick to no more than two a day, depending on length.
deathpixie: (buster!)
Grabbed from [Bad username or site: @ livejournal.com], a drabble meme. Slightly reworded.

Go here and write me a drabble/make an icon, based on whatever fortune you get, and I will love you forever.

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